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As in 'Britain B.C.' and 'Britain A.D.' (also accompanied by Channel 4 series), eminent archaeologist Francis Pryor challenges familiar historical views of the Middle Ages by examining fresh evidence from the ground. The term 'Middle Ages' suggests a time between two other ages: a period when nothing much happened. In his radical reassessment, Francis Pryor shows that this is very far from the truth, and that the Middle Ages (approximately 800-1550) were actually the time when the modern world was born. This was when Britain moved from Late Antiquity into a world we can recognize as more or less familiar: roads and parishes became fixed; familiar institutions, such as the church and local government, came into being; industry became truly industrial; and international trade was now a routine process. Archaeology shows that the Middle Ages were far from static. Based on everyday, often humdrum evidence, it demonstrates that the later agricultural and industrial revolutions were not that unexpected, given what we now know of the later medieval period. Similarly, the explosion of British maritime power in the late 1700s had roots in the 15th century. The book stresses continuous development at the expense of 'revolution', though the Black Death (1348), which killed a third of the population, did have a profound effect in loosening the grip of the feudal system. Labour became scarce and workers gained power; land became more available and the move to modern farming began. The Middle Ages can now be seen in a fresh light as an era of great inventiveness, as the author examines such topics as 'upward mobility'; the power of the Church; the role of the Guilds as precursors of trade unions; the transport infrastructure of roads, bridges and shipbuilders; and the increase in iron production.

Put the essential concepts and techniques of digital compositing to work for you without the need of a single mathematical equation. Compositing Visual Effects is lavishly illustrated with hundreds of film shots, figures, illustrations, and diagrams to help the visual reader gain a valuable vocabulary and understanding of the full range of visual effects, in which digital compositing plays a key role. Beginning with an inspirational tour of the scope and magnitude of digital compositing, you get a solid overview of the kinds of digital effects routinely executed today. See how CGI is composited with live action, how set extensions are done, and what a match-move shot Britain in the Middle Ages: An Archaeological History free pdf is. Following that you learn each of the key applications of digital compositing, which include bluescreen compositing, bullet-time shots, motion tracking, and rotoscoping. The subsequent chapters dig down into each of the major digital compositing applications, introducing the fundamental concepts, and processes behind them. Learn what is easy and hard, possible and impossible, and what to expect when working on a job that entails digital compositing.

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Author: Francis Pryor
Number of Pages: 320 pages
Published Date: 28 May 2007
Publisher: HarperCollins Publishers
Publication Country: London, United Kingdom
Language: English
ISBN: 9780007203628
Download Link: Click Here
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